Dear Open ,

Here is another something I am being shown. Let me try and put this in words .

"It's about how the Merkaba which is basically the vehicle for consciousness in this dimension has its centre in the heart . As we ascend the centre needs to ascend into the third eye. The Anu are telling me how ,as the consciousness shifts we need to move to a higher octave. Realigning the energies that have kept humanity trapped into the 4 D ,is essential.

It's like the 4D is an energetic barrier that prevents us experiencing the entirety of the octaves . And in unravelling that block ( I see it as a knot which doesn't allow unfurling of the sound frequencies ) the possibility of moving to a higher octave opens up. "

I suspect Gaia has moved to that higher octave already and her moving there energetically gives us the impetus to do so.

As I am writing this I am aware how this group used Sound as the carrier of consciousness hence the efficiency of toning through dimensions . They seem very approving and supportive of that particular tool in Egypt .

"In short as those with the courage to do so unravel ancient knots within themselves ,they acquire the ability to EFFORTLESSLY( emphasis is important) move through frequencies. And at the time of transition they will find it easy to make that jump from 4D to 5 or 6 D.

Each person that unravels knots within themselves is contributing to the collective have no doubt . "

As I write this I am aware of a streaming flow of energy coming through my own heart centre and affecting all those energetically connected to me .It explains why I have been feeling into a movement in the back of my heart chakra for about a week , now . I can see realigning energies making some changes in configuration at the back of my own heart chakra .

I am clearly connecting to both this amazing courageous Openhand group in Egypt as well as the ancient architects .

I will write more as I am nudged to. I thought of emailing you personally Open ,but then I had a strong impulse to share this with a wider audience .

Do excuse any inaccuracies . This stuff is hard to put into words sometimes .

Megha